Trace & Mordant
Help me decide
For your windows

We begin with the windows.

They bring in the light, hold the view, offer privacy, soften a room's hard edges — and they're usually the largest unbroken opening in it. How you dress them changes a room more than almost anything else.

Daylight raking across a plastered wall beside a window.
One window, many answers

There isn't one way to dress a window. A room might ask for softness — light let in and spread rather than shut out. Another wants the dark of real sleep, or a screen watched without glare. Elsewhere it's privacy that matters, held onto without giving up the day. A window can be made to quiet down and nearly vanish; it can just as easily be pushed the other way, into something architectural — height, weight, a presence of its own. And often the work is neither look nor light but warmth and hush: heavy cloth against a cold pane, against the noise outside. Most windows ask for several of these at once — which is why the same window can be dressed more than one way, and why a single right answer is rare.

Five window facades side by side, each already wearing something hard and none wearing cloth: a carved teak window with turned bars, a pierced sandstone jaali, painted timber louvred shutters, a Parisian wrought-iron balconet, and a Gothic stone-tracery window.
Two ways in

From here the window splits two ways: curtains and sheers, or blinds. The two overlap more than their names let on — a sheer can hang like a blind, a blind can be cut from sheer — so this isn't a choice to get right in advance, or on your own. Take whichever draws you, and we'll settle the fit at the window itself.

Not sure which is yours? That's usual — and it's the easy part to sort later.

At the window

None of this has to be solved at the window alone.

Tell us about yours, or let us come and see it — and we'll settle the fit together.